Pixel to Person - real to virtual and back again
January 23, 2009 on 5:55 am | In BSF, CLC, Educational Change, Innovation, Mediated Reality, Moodle, Peer to Peer, Personalised Learning, Second Life, Virtual Worlds, art, informal learning, mediascapes, metaverse, sloodle, video, video streaming |Pixel to Person at the Greyhound Pub in Kensington Square
At BETT last week I also attended the Pixel to Person meetup at the Greyhound pub in Kensington Square. I have written about this wonderful place in a previous blog but the most amazing thing about it are the people in Real Life who attended this session.
Real to Virtual and back again…
To get a flavour of the surreal nature of the evening here is a brief video of the sort of setup that was involved bringing together a real and virtual space…
Sloodle - Interview with Giannina Rossini by Mal Burns
I first met Giannina in Second Life a couple of years ago at the ISTE Island at about 3 a.m in the morning. We’ve been good friends ever since. Here she is talking about Sloodle to Mal Burns live on Mogulus streaming web TV as well. Mal runs 15 web sites to do with Second Life when I last counted.
Giannina is one of the hardest working people I know in Second Life, doing a lot of the background work to get Sloodle publicised - she has also built the Sloodle Island in Second Life, which as anyone who knows about building in there, is no mean feat.
Sloodle enables people to communicate between Second Life and Moodle and so much more. She is a key person in this highly innovative area. She constantly underplays her role but I know how much work she puts in and it is an immense effort to build new learning communities with these technologies. As with everyone else at Pixel to Person that evening she is unique and a very valued member of the community.
Second Life and Building Schools for the Future - Interview with Mark Mullis
Mark Mullis showed me his new BSF build on Teen Grid - exciting stuff. Mark shows his new BSF build built 2 years before the real one. He also talks about the 3D projection systems he is using to make SL come alive mixing virtual and real worlds. Again he is an early adopter/ innovator making things happen years before they become mainstream.
Interview with Slim Warrior AKA SlimGirlFat
This is a brief interview with the lovely Slim Warrior AKA SlimGirlFat. She was the first uk musician to play live in Second Life. Like Giannina, I think she confounds all the usual stereotypes of people in Second Life. A very personable, accomplished musician who has a deep and very detailed technical knowledge of how to broadcast live streaming over the internet. I had a listen to her music later and I’m definitely now a fan
Interview with Mambo by Mal Burns
Virtual Live Band is a real life band of 4 members from 3 different countries and 4 different locations playing at the venues of Secondlife. They use Ninjam Software to synchronize and stream their music into the Virtual World of Second Life.
The interview is in two parts because of the size of the upload.
Virtual Live Band is the first band of this kind and the only band in Secondlife to work in this way.
Mambo Welles (RL Trevor Tweedy): Based in West London,UK,Mambo has been playing bass for 25+ years. During the 80’s he worked with several unsigned bands in and around London. After a break from the music scene for a few years, in 2006 he returned to playing live with the rock covers band, Limeburner.
This interview is 20 minutes long and is absolutely fascinating - Mambo goes into quite some detail about how the Virtual Live band play together. They are the only musicians to do this in Second Life. Yet another amazing innovator.
Interview with Francesco D’Orazio, founder and CEO of Myrl and Victor Keegan technology columnist The Guardian.
Francesco D’Orazio
Myrl is a Social Gateway for Virtual Worlds, it was released in September 2008.
Francesco has been working over the past 7 years as a strategic communication consultant and qualitative researcher specializing in social media strategy and immersive marketing.
He holds a Ph.D. in New Media Studies and Sociology from the University of Rome. His research has been focussing on immersive communication, mapping the pervasive and ubiquitous spread of immersive strategies and tracking down the history of immersion from religious rituals, planetariums and panoramic painting, up to ambient music, experiential marketing, alternate reality games and virtual worlds.
He is currently Lecturer in new media at the IULM University in Milan and is Senior Fellow at the McLuhan Program in Culture and Technology, University of Toronto.
Francesco explains here how Myrl’s Social Gateway offers people a way to keep track of their online activity in the different virtual worlds, sometimes even with multiple accounts in the same virtual universe.
Vic Keegan
Vic writes a weekly technology column in the Guardian, and also contributes to Guardian Unlimited’s Comment Is Free blog. He joined the Guardian in 1963 and since then his positions have included Business Editor, Economics Editor, Chief Leader Writer and Assistant Editor. For 11 years he was a member of the Scott Trust, owner of the Guardian, and edited the Online section of the Guardian for six years.
But here he describes his numerous projects in and out of world. Here he talks about his art gallery in Second Life and his NFP company World Film Collective which has offices in Second Life. World Film Collective runs a series of filmmaking workshops with groups of young people from marginalised and deprived areas of the world.
They aim to give students a voice through which they can present their lives, their passions, their interests and their messages to the global community. They can make films using mobile phones and show them through Second Life - as he said it is a very cheap way of having a centralised global office to enable people to communicate. Yet another fantastic idea - I’d encourage you to go along to the website and sign up.
We also had a brief conversation about poetry, economics and his proclivity for creating surreal Flickr groups. I put him in touch with John Davitt - I think they’d get on…
And that’s what I love about these events - the fascinating people you meet and the endless possibilities for networking and collaboration. Often it is difficult to fully socially engage when you are filming people - you can be so intent on getting footage and technical stuff right, that it only strikes you later, in post production, what incredibly interesting people and what ground-breaking projects they have been involved in.
Pictures of the Evening
You can see further pictures of the evening on the Flickr set here and read the Twitter feed here.
It was a pity I had to leave early as I was streaming/ filming the MirandaMod Moots at BETT the next day and gearing up for the same at TeachMeet (click the link for a teaser) - both those events I’m still post producing and will be covered in much more detail in subsequent blogs.
I really enjoyed videoing all these incredibly creative people. I’d like to say a big thank you to Kwame Oh again for allowing his pub to host the venue and all the other people I talked with that evening but didn’t get on video. I can’t wait until the next one where I might be able to simply sit and have a drink and non-digital chat for a change.
High Definition Video
As you can see I took a lot of High Definition footage with my new Flip Mino HD camera and one week on I’m still uploading a lot of it to my HD site. Unfortunately a couple of films did not come out including mine.
I have not enabled embedding of videos on other sites unless it belongs to the interviewee because High Definition footage over the web is still an expensive business and my allocation of 1000 views is rapidly decreasing!
It definitely proves that people want to see HD and Learn 4 Life content but it is getting rather expensive to broadcast at the moment. If you are a regular subscriber and would like to sponsor video views please do get in touch we have a number of advertising options in place. Otherwise please subscribe to view the content. We have a LOT of footage in the pipeline.
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